Symposium June 16 and 17 – invitation request

Fertility Contribution of the maternal inheritance
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Fertility, contribution of the maternal inheritance

Fertility Contribution of the maternal inheritance

June 16 & 17

Diffusé en direct et en accès libre sur / broadcasted live with no registration needed on singer-polignac.tv


Developed nations are currently facing the problem of late motherhood and the associated decline in fertility. Declining fertility leads to demographic decline, which will have unprecedented consequences for our societies in the near future. There is a significant drop in female fertility after the age of 35. In industrialized countries, maternal age at first birth is rising rapidly. Furthermore, worldwide data show that over 25% of female fertility problems are unexplained, indicating a huge gap in our understanding of female reproduction. Poor oocyte quality is at the root of the majority of female fertility problems. Oocytes are formed before birth, and remain dormant in the ovary for several decades, from birth to menopause. Despite their remarkable longevity, oocytes age with advanced maternal age. Little is known about the strategies and mechanisms that enable oocytes to escape aging for many years, or why these mechanisms eventually fail after the age of 35. The French government has commissioned a major investigation, culminating in the publication in 2021 of a report on the causes of infertility in France and a mandate given to INSERM to coordinate a national program to promote research into women’s infertility in 2022. We therefore believe that it is timely to organize a meeting supported by the Fondation Singer-Polignac on this important and topical subject of oocyte biology.

Monday 16th June 2025

9:30 to 10:00 am Welcome and registration of participants

10:00 to 10:30 am Nina Cabezas-Wallscheid (Max Planck, Germany): Stem Cells dormancy

10:30 to 11:00 am Katsuhiko Hayashi (Kyushu University, Japan): Germ Stem Cells culture to produce oocytes

11:00 to 11:30 am coffee break

11:30 to 12:00 am Petr Svoboda (Institute of Molecular Genetics, Praha): Stem Cells small RNAs

12:0 0 to 12:30 am Yaniv Elkouby (The Hebrew University of Jerusalem, Israël): Divisions of the germline cyst in Zebrafish

12:30 to 13:00 am Jean-René Huynh (CIRB; France): Divisions of the germline cyst in Drosophila

1:00 to 2:00 pm lunch break

2:00 to 2:30 pm Geraldine Seydoux (Johns Hopkins School of Medicine; USA): Cytoplasm RNA dynamics in c. elegans

2:30 to 3:00 pm Arnaud Hubstenberger (IBV; France): Phase Separation of RNPs in c. elegans

3:00 to 3:30 pm Florence Marlow (Icahn School of Medicine at Mount Sinai, USA): Oocyte polarity

3:30 to 4:00 pm coffee break

4:00 to 5:30 pm Short Talks selected on abstracts

5:30 to 6:00 pm Andrea Pauli (Harvard University, USA): Oocyte to zygote translation

6:00 pm Closing of the first day

Tuesday 17th June 2025

10:00 to 10:30 am Welcome and registration of participants

10:30 to 11:00 am Eva Hoffmann (University of Copenhagen, Denmark): Oocyte aneuploïdy

11:00 to 11:30 am Karen Schindler (University of Rutgers, USA): Oocyte acentriolar Spindle Assembly

11:30 to 12:00 am Coffee break

12:00 to 12:30 am Michaël Lampson (University of Pennsylvania, USA): Meiotic drive during oocyte divisions

1:00 to 2:00 pm lunch break

2:00 to 2:30 pm Carl-Philip Heisenberg (ISTA, Austria): Establishing oocyte polarity

2:30 to 3:00 pm Marie-Emilie Terret (CIRB, France): Biophysics of oocyte divisions

3:30 to 4:00 pm coffee break

4:00 to 5:30 pm Short Talks selected on abstracts

5:30 to 6:00 pm Melina Schuh (Max Planck, Germany): Mammalian oocyte divisions

6:00 pm Closing of the conference

Biographies – organizers

Elvan Böke

Elvan Böke completed her PhD training at the Cancer Research UK Manchester Institute (2008-2012) on cell division, followed by a postdoctoral training at Harvard Medical School in Boston, USA (2013-2016) on cytoplasmic organization. In 2017, she established her laboratory at CRG, Barcelona. Elvan has received numerous honors, including two consecutive European Research Council Grants (Starting in 2017 and Consolidator in 2022), an EMBO Young Investigator Award in 2021, and the EMBO Gold Medal in 2024. Her research focuses on the strategies and mechanisms that allow oocytes to evade ageing for decades, and why these strategies eventually fail with advanced maternal age.


Marie-Hélène Verlhac

Marie-Hélène Verlhac, student from ENS de Lyon, started her PhD in Prof Hugh Clarke’s lab at Mc Gill University and finished it at the Jacques Monod Institute with Bernard Maro. After a post-doc with Prof Rik Derynck at UCSF, she was recruited to the CNRS and started her own lab. Her lab, that she now co-heads with Marie-Emilie Terret, is currently at the CIRB, at the Collège de France. She is also heading the CIRB. 

She studies the maternal heritage transmitted by the female gamete to her offspring. At fertilization, the female gamete transmits not only its haploid genome but also its enormous cytoplasm containing the reserves necessary for the formation of the embryo. She pioneered the field of acentrosomal spindle assembly and positioning of in mouse oocytes. Her team has discovered original mechanisms, based on purely biophysical phenomena, controlling the nature and preservation of maternal inheritance. Her work has been acknowledged by prizes and recognitions such as for example the EMBO membership, the CNRS Silver medal, the Albert Brachet embryology Prize from the Belgium Royal Academy of Sciences, the Jaffe Prize from the French academy of Sciences and she was appointed Knight from the French national order of the Legion d’honneur. 

Biographies – speakers

Prof. Yaniv M. Elkouby

Prof. Yaniv M. Elkouby is a professor in the Department of Developmental Biology at the Hebrew University of Jerusalem School of Medicine. Yaniv received his PhD from the Technion in 2010, under the supervision of Dale Frank, where he studied early embryonic development. In 2011, Yaniv joined the lab of Mary Mullins at the University of Pennsylvania for his postdoctoral studies, where he established the zebrafish ovary as a new model system to study the cellular mechanisms of ovary development and early egg production. 

In late 2017 Yaniv established his own lab in the Hebrew University of Jerusalem. His research employs a multidisciplinary holistic approach to the developing ovary, and he pioneered the view of egg production by advanced quantitative and live microscopy of whole ovaries. By contributing to our understanding of the earliest stages of egg production, his studies generate knowledge that is directly relevant to human reproduction. Major accomplishemnts from his lab include the discovery of the oocyte zygotene cilium, identifying the oocyte symmetry-breaking mechanism, deciphering the formation of a conserved membraneless organelle in oocytes through molecular condensation, characterizing the germline cyst, and uncovering novel regulators of zebrafish germ cell and gonad development. The ultimate goal of the Elkouby lab is to continue and make important discoveries by illuminating unpredicted cellular machineries in germ cell production, gonad development, and reproduction. 

Funding and support for his research have included ISF, ISF-NRF, BSF, DFG, Israel Innovation Authority, and ERC Consolidator grants, and the ZCAI Prize for Discovery in Medical Research, and in 2023, Yaniv became an EMBO Young Investigator (YIP). Prof. Elkouby serves an elected board member of the Israeli Society of Developmental Biology.


Petr Svoboda

Petr Svoboda received his Ph.D. in 2002 at the University of Pennsylvania where he studied mammalian RNA interference (RNAi) in the lab of Richard Schultz. He did then a postdoc with Witek Filipowicz at the Friedrich Miescher Institute in Basel (2003-2006 ), mainly working on mammalian microRNA. Since 2007 he is a groupleader at the Institute of Molecular Genetics of the Czech Academy of Sciences. His lab has been studying RNA metabolism during oocyte-to-zygote transition. In the last decade, his primary research interest focused on biology of mammalian small RNA pathways in the germline and soma. This included studies of regulation of the microRNA pathway in oocytes, biological roles of the piRNA pathways in rodents, and molecular mechanisms enhancing RNAi activity in mammalian cells. In 2018, he became a full professor in cell & developmental biology at the Charles University in Prague and was elected an EMBO member in 2018.


Prof. Dr. Nina Cabezas-Wallscheid

Prof. Dr. Nina Cabezas-Wallscheid was appointed in 2023 as full professor at the ETH Zürich (Switzerland). Dr. Cabezas-Wallscheid started her group at the Max Planck Institute of Immunobiology and Epigenetics in Freiburg (Germany) in 2017. Her group studies how hematopoietic stem cell dormancy is regulated in healthy and in the context of hematological, nutritional disorders and aging. Her laboratory is pursuing interdisciplinary projects that include the use of genetic mouse models, dietary treatments and primary human patient material in combination with the development of state-of-the-art omics, single-cell techniques and bioinformatic analysis. Dr. Cabezas-Wallscheid received an ERC Starting Grant in 2017, ERC Consolidator in 2023 and is part of the EMBO Young Investigator Program since 2022. She was honored with the German Stem Cell Network 2018 Young Investigator Award and the Janet Rowley Award by the International Society of Experimental Hematology in 2023. Dr. Cabezas-Wallscheid conducted her postdoctoral work in the laboratory of Prof. Andreas Trumpp at the German Cancer Research Center in Heidelberg (Germany). She gained her PhD at the Medical Center of Mainz under the supervision of Dr. Ernesto Bockamp and studied biotechnology (MSc) at the Autonomous University of Barcelona, Spain, and the University of Parma, Italy.


Michael Lampson

Michael Lampson studied physics as an undergraduate at Harvard University, physiology and biophysics as a graduate student at Cornell University, and chemical and cell biology as a postdoctoral fellow at the Rockefeller University. He is currently a professor of biology at the University of Pennsylvania, where his lab pursues a variety of questions related to chromosomes, the cell cycle, and cell division using various model systems. Topics include mechanisms that ensure accurate chromosome segregation in mitotic and meiotic cell divisions, centromere inheritance and function in the mammalian germline, and the cell biology of meiotic drive, in which centromeres act as selfish genetic elements in female meiosis. His lab has also developed tools that enable innovative experimental approaches, such as FRET-based biosensors for mitotic kinases and photocaged chemical inducers of protein dimerization for optogenetic control of protein localization. Working with multiple collaborators at Penn, his research program spans mechanistic cell biology, chemical biology, mouse models for reproductive biology, and molecular evolution.


Marie-Emilie Terret

Marie-Emilie Terret, is a researcher in cell biology, who studies the formation of oocytes in mammals. The goal of her team “Oocyte mechanics and morphogenesis”, that she co-directs with Marie-Hélène Verlhac at the CIRB, Collège de France, is to understand how an oocyte transforms into a viable embryo, using biophysical approaches to meiotic divisions in a highly interdisciplinary and collaborative context. 


Dr. Karen Schindler

Dr. Karen Schindler is a Professor in the Department of Genetics at Rutgers University, New Jersey. She received a B.S. in Biology from Loyola University, Maryland and a Ph.D. in Biochemistry/Molecular Biology at Thomas Jefferson University. She then completed postdoctoral training with Dr. Richard Schultz at the University of Pennsylvania. Her laboratory investigates the mechanisms by which the Aurora protein kinases regulate chromosome segregation during meiosis, is probing the genetics of female infertility in humans, and is seeking to understand how Sirtuin 7 functions control reproductive longevity. Dr. Schindler was the recipient of 2018 SSR Virendra B. Mahesh New Investigator Award and the 2020 FASEB Excellence in Science Early Career Investigator Award. Dr. Schindler is currently co-editor in chief of the Reproduction journal and director of the Gametogenesis and Embryogenesis section of the Frontiers in Reproduction course.


Jean-René Huynh

Jean-René Huynh is a CNRS Director of Research and a group leader specializing in the evolution and development of germ cells. He holds a PhD in Genetics from the University of Cambridge, obtained under the supervision of Dr. Daniel St Johnston. He previously served as a junior and then senior group leader in the Department of Genetics and Developmental Biology at Institut Curie, where his lab focused on germline stem cell biology and the initiation of meiosis during Drosophila oogenesis. In 2018, he relocated his lab to the Collège de France, broadening the scope of his research to investigate germline cell differentiation in species such as the medaka fish, the jellyfish Clytia hemisphaerica, and more recently, various nematodes with diverse reproductive strategies. Dr. Huynh has received numerous awards, including the CNRS Bronze Medal and the 2023 « Grandes Avancées Française en Biologie » prize awarded by the French Academy of Sciences. A recognized expert in his field, he serves as an editor for PLoS Genetics and participates as a panel member for several scientific funding agencies.


Dr. Geraldine Seydoux

Dr. Geraldine Seydoux’s research focuses on the development of the germline. Her lab characterized identified global inhibition of mRNA transcription as an essential first step to establish the embryonic germline and characterized post-transcriptional mechanisms of gene regulation that promote germ cell fate and differentiation. Most recently, her lab described a family of intrinsically-disordered proteins that stabilize RNA granules in germ cells by functioning as surface-tension reducing agents (Pickering agents), the first demonstration of this type of activity in cells.


Florence Marlow

For over two decades, I have leveraged the zebrafish system in my research. As a graduate student at Vanderbilt University, I studied cell polarization during gastrulation, focusing on cellular and genetic regulation of moving cells. As a Damon Runyon Cancer Research Foundation fellow at the University of Pennsylvania, I investigated oocyte polarity and maternal regulation of embryonic development. I was a primary supervisor of a comprehensive four-generation maternal-effect and ovary screen to identify essential vertebrate genes for early development and fertility. My current research applies molecular, genetic, cell biological, and biochemical methods to understand:

  • Mechanisms establishing and maintaining the ovarian reserve and germline stem cells
  • Cellular polarity mechanisms and their role in oocyte longevity and reproductive aging
  • Mitigating mechanisms of reproductive aging
  • Cellular and molecular interactions between reproductive systems, immune, and nervous systems

I have maintained continuous NIH funding throughout my sixteen years as a principal investigator, recently receiving an R35 award and demonstrating strong scholarly, teaching, and service track records.

In academic leadership, I have served as Associate Director of the MSTP program for 3 years and co-director of the Development, Regeneration, and Stem Cells (DRS) graduate training area at ISMMS for seven years. My responsibilities included:

  • Advising first-year students and monitoring their progress toward achieving academic milestones
  • Organizing orientation and program events
  • Recruiting diverse students
  • Serving as a liaison between graduate leadership, faculty, and students to establish and achieve the academic and training missions of the graduate program
  • Serving on academic affairs, and curriculum committees, and chairing thesis advisory meetings and exams

I have successfully mentored PhD, MSTP, and master’s students, who are now pursuing careers in science, research, and medicine. I have also supported postdoctoral researchers transitioning to academic and industry positions. As part of my commitment to scientific outreach, I serve as scientific director of BioEYEs NYC, a K-12 program that introduces zebrafish, genetics, and scientific opportunities to underserved schools.


Eva Hoffmann

Eva Hoffmann is professor of molecular genetics and Head of Department of the Department of Cellular and Molecular Medicine at the Faculty of Health and Medical Sciences, University of Copenhagen, Denmark. Her lab focusses on exploring the molecular mechanisms that govern genomic diversity in human germ cells and embryos and their implications for reproductive phenotypes and congenital disorders.

Prof. Hoffmann obtained her PhD in Biochemistry for University of Oxford and held research fellowships from EMBO as well as the Royal Society and Medical Research Council in the UK from 2005-2015 as principle investigator at the MRC Genome Damage and Stability Centre. In 2016, she relocated to the Danish National Research Foundation (DNRF) Center for Chromosome Stability at the University of Copenhagen Medical School. She is currently a Novo Nordisk Foundation Distinguished Investigator and Direct-elect of a Center for Fertility and Inheritance funded by the Danish National Research Foundation.

Prof. Hoffmann is an elected member of the European Molecular Biology Organization (EMBO), and serves on the Executive Board and as Scientific Coordinator of ReproUnion. 


Carl-Philipp Heisenberg

Carl-Philipp Heisenberg (born 1968) is a developmental biologist who studied biology at the Ludwig-Maximilians-University in Munich and completed his doctorate in the group of Nobel laureate Christiane Nüsslein-Volhard at the Max-Planck-Institute for developmental biology in Tübingen in 1997. In 2001, he became research group leader and Emmy Noether Junior Professor at the Max-Planck-Institute for Molecular Cell Biology and Genetics in Dresden. In 2010, he started as a Professor at the Institute of Science and Technology (IST) Austria in Klosterneuburg. Heisenberg received an ERC Advanced Grant in 2017 from the European Research Council and, in the same year, the “Würdigungspreis” from Lower Austria. Since 2015 he has been a member of the German Academy of Sciences Leopoldina. In 2018, he joined the Board of Reviewing Editors of the journal Science and, in 2019, received the Carus Medal from the Leopoldina.


Andrea Pauli

Andrea Pauli (Andi) studied biochemistry in Regensburg, Germany, and obtained her Masters in Molecular and Cellular Biology from Heidelberg University, Germany. In 2004, she started her PhD at the Research Institute of Molecular Pathology (IMP) in Vienna, Austria, co-supervised by Kim Nasmyth and Barry Dickson to investigate non-mitotic functions of cohesin using Drosophila as a model organism. In 2006, she moved with Kim Nasmyth to Oxford University, UK, where she obtained her PhD in 2009, providing the first direct evidence that cohesin has essential functions in post-mitotic cells. As a postdoc in Alex Schier’s lab at Harvard University, USA, Andi made two key findings that have shaped her research since: first, translation is widespread outside of protein-coding regions in vertebrates; and second, some of the newly discovered translated regions encode functionally important short proteins, one of which is Toddler, an essential signal for mesodermal cell migration during gastrulation.

In 2015, Andi established her own lab at the IMP in Vienna, Austria, which aims to gain mechanistic insights into (1) the fundamental yet still poorly understood process of fertilization in vertebrates and (2) translational and proteome-wide rewiring during the egg-to-embryo transition and more generally during cellular and organismal dormancy. The long-term vision of the Pauli lab is to unravel new concepts and molecular mechanisms governing key developmental transitions that mark the beginning of life. 

Andi’s work has been funded by the ERC, EMBO, HFSP, the NIH grant to independence (K99), the FWF START Prize, and a Whitman Center Fellowship from the Marine Biological Labs. In 2018, Andi became an EMBO Young Investigator (EMBO YIP), and in 2021 she was elected as an EMBO Member. In 2022, Andi got promoted to a senior group leader (= tenure) at the IMP.


Arnaud Hubstenberger

Arnaud Hubstenberger became interested in the post-transcriptional control of germline development during his first post-doc in Tom Evans’ team in Colorado. There, he introduced phase transitions as a framework to study the supra-molecular organization of the transcriptome in the oocyte (Hubstenberger et al., 2013). During a second post-doctorate in Dominque Weil’s team at the Institut Biology Paris Seine, he developed a cutting edge FAPS method to purify RNA condensates, unravelling how the translation of RNA regulons is coordinated transcriptome-wide (Hubstenberger et al., 2017). In 2018, after joining the CNRS as researcher, he initiated an ATIP-AVENIR team at the Insitute of Bioogy Valrose in Nice, focusing on how the multiscale multiphase organization of the transcriptome control germline development (Cardona et al., 2023).


Melina Schuh

Melina Schuh is a Director at the Max-Planck-Institute for Multidisciplinary Sciences in Göttingen, Germany, where she leads the Department of Meiosis. She graduated in Biochemistry from the University of Bayreuth in 2004, working on centromeres in Drosophila embryos with Stefan Heidmann and Christian F. Lehner. In 2008, she obtained her PhD from the University of Heidelberg and the European Molecular Biology Laboratory (EMBL), where she established methods for high-resolution microscopy of live mouse oocytes in the group of Jan Ellenberg. In 2009, she became a Group Leader at the MRC Laboratory of Molecular Biology (LMB). At the LMB, her group carried out the first studies of meiosis in live human oocytes and developed strategies for high-content screens for meiotic genes in mammals. In 2016, she was appointed as Director at the Max Planck Institute for Biophysical Chemistry. In 2022, the Institute fused with the Max Planck Institute for Experimental Medicine into the Max Planck Institute for Multidisciplinary Sciences. Her laboratory studies how errors arise during the meiotic divisions of mammalian eggs, and what causes the age-related decline in female fertility. Her lab also developed a new method for the acute degradation of endogenous proteins, called Trim-Away. Recent work from her lab established essential functions for actin and a liquid-like spindle domain in acentrosomal spindle assembly, and revealed the cause of spindle instability in human oocytes. She also recently discovered how mRNAs and proteins are stored in oocytes for the early embryo. Melina Schuh is a member of the Leopoldina (German National Academy of Sciences), an EMBO member and a recipient of the Leibniz Prize, the EMBO Gold Medal, the Colworth Medal, an ERC Starting Grant, a Biochemical Society Early Career Award, the European Young Investigator Award, the Lister Research Prize, the John Kendrew Young Scientist Award, and the Binder Innovation Prize.


Katsuhiko Hayashi

Katsuhiko Hayashi, a full professor in Department of Genome Biology, Graduate School of Medicine, Osaka University, is working on germ cell development and its reconstitution in vitro through his career: 1994-1996, MS course of Meiji University; 1996-2002, an assistant professor in Tokyo University of Science; 2002-2005, a staff researcher in Osaka Medical Center (Ph.D. 2004); 2005-2009, post-doctoral fellow in the Gurdon Institute, University of Cambridge; 2009-2014, associate professor in Kyoto University; and 2014-2021 a full professor in Kyushu University. From 2021, He has been in the current position in Osaka University. The research aim of the Hayashi’s group is to understand genetic and epigenetic regulation of mammalian oocyte differentiation using a unique culture system that produces oocytes from pluripotent stem cells.

Le Coeur et la raison – 6 février 2025 20h

Depuis la formation de notre trio en 2019 au sein de la Haute École de Musique de Genève, nous mettons au centre de notre activité l’exploration des répertoires adaptés à notre effectif unique de trois sopranos.

Après un premier disque dédié aux madrigaux de Luzzaschi, composés pour les célèbres chanteuses italiennes de la Renaissance surnommées les Dames de Ferrare, nous plongeons cette fois dans l’univers riche et complexe du XVIIIe siècle français, à la fois précieux, libertin et tourmenté.

Avec « Le cœur et la raison« , nous vous invitons à entrer dans la peau d’une jeune demoiselle de Saint-Cyr, déchirée entre la religion et le profane, la passion et la dévotion, entre les élans de son cœur et les exigences de la raison.

Du Miserere de Clérambault aux airs de cour les plus poignants, nous souhaitons vous faire vivre les vertiges de l’amour passionné, mis en miroir avec l’expression musicale du sentiment religieux à son paroxysme.

La Néréide

Du Parc

Je ne sais pas ce que je sens

Louis-Nicolas Clérambault (1676-1749)

Miserere (extraits)

Joseph Chabanceau de La Barre (1633-1678)

Quand une âme est bien atteinte

Luca Marenzio (vers 1533-1599)

Belle ne fe natura

Sébastien Le Camus (vers 1610-1677)

Je m’abandonne à vous

Jean-François Lalouette (1651-1728)

Miserere (extraits)

Honoré d’Ambruis (vers 1660 – vers 1702)

Lorsqu’avec une ardeur extrême

Michel Lambert (1610-1696)

Laisse-moi soupirer, importune raison

Luzzasco Luzzaschi (1545-1607)

T’amo mia vita

La Néréide

Julie Roset, Camille Allérat, Ana Vieira Leite soprano

Emmanuel Arakélian orgue

Miguel Henry théorbe

photo : Jean-Baptiste Millot

Transfigurations viennoises – 15 mai 2025 20h

Notre résidence à la Fondation Singer-Polignac touche à sa fin et c’est avec une émotion certaine que nous clôturons ce chapitre de notre aventure lors de ce dernier concert. 

Nous avons imaginé ce programme entièrement viennois comme un reflet de notre résidence, ponctuée par d’innombrables répétitions, découvertes, rencontres amicales et musicales. Nous débuterons avec deux choses essentielles à notre ensemble : Joseph Haydn et les blagues. C’est ainsi que nous ouvrirons ce concert avec son Quatuor opus 33 n°2, dit « La Blague ». Truffé de surprises mais aussi et surtout avec sa conclusion malicieusement inattendue, ce quatuor s’amuse à tromper l’auditeur et convoque une émotion rare en musique, le rire ! 

Nous poursuivons avec une grande découverte du quatuor ces derniers mois, Erich Wolfgang Korngold. Nous sommes des amoureux de bandes-originales de films et dans son Quatuor n°3 opus. 34, on retrouve ce lien direct entre musique de concert et musique de film.  Korngold, compositeur phare de l’âge d’or hollywoodien, offre dans ce quatuor une écriture opulente et lyrique, héritée de son expérience cinématographique. On y perçoit  même des citations de ses partitions pour les films d’Errol Flynn comme « The Sea Hawk » pour les plus connaisseurs. 

Enfin, pour clôturer ce concert, nous souhaitions inviter deux amis, membres du Quatuor Hanson, Gabrielle et Simon qui se joignent à nous pour l’une de nos œuvres préférées, la « Nuit Transfigurée » de Schoenberg. Œuvre de jeunesse ultra passionnée (elle inspirera d’ailleurs Korngold dans nombre de ses pièces), elle illustre en musique la transformation d’un amour tourmenté en une réconciliation lumineuse, marquée par une richesse harmonique et une puissance expressive inégalées, tout ce qu’on aime ! 

Nous vous souhaitons un très beau concert et à bientôt pour la suite de nos aventures.

Quatuor Agate

Joseph Haydn (1732-1809)

Quatuor à cordes en mi bémol majeur « La Plaisanterie »  opus 33 n°2  Hob.III.38

Allegro moderato

Scherzo : allegro

Largo e sostenuto

Finale : presto

Erich Wolfgang Korngold (1897-1957)

Quatuor à cordes n°3 opus 34

Allegro moderato

Scherzo. Allegro molto – Trio. L’istesso tempo

Sostenuto. Like a Folk Tune

Finale. Allegro

Arnold Schoenberg (1874-1951)

La Nuit Transfigurée pour sextuor à cordes opus 4

Quatuor Agate

Adrien Jurkovic, Thomas Descamps violon

Raphaël Pagnon alto

Simon Iachemet violoncelle

Gabrielle Lafait alto

Simon Dechambre violoncelle

Photo : Stéphane Lavoue

Rites et danses du printemps – 10 avril 2025 20h

Artistes du concert

Après son projet VITRAIL et la collaboration avec Thierry Escaich, le Trio Xenakis souhaitait retrouver une formation qui lui est chère : le quatuor deux pianos / deux percussions. Emmanuel et Rodolphe poursuivent leur exploration du répertoire du compositeur en invitant Théo Fouchenneret, compagnon de longue date, à découvrir Spring’s Dance.

En complément de ce programme, vous pourrez entendre la Sonate pour deux pianos et percussions de Bartók, dont les couleurs, l’orchestration et la métrique rappellent le Sacre du Printemps de Stravinsky, ici présenté dans une version intimiste mais tout aussi puissante, adaptée par les musiciens.

Pour les accompagner et faire découvrir la nouvelle génération de résidents de la fondation, Rodolphe Menguy se joint à eux pour proposer ce tout nouveau programme de concert, Rites et danses du Printemps.

Emmanuel Jacquet et Rodolphe Théry du Trio Xenakis

Programme

Béla Bartók (1881-1945)

Sonate pour deux pianos et percussions Sz. 110 (1937)

Assai lento-Allegro molto

Lento, ma non troppo

Allegro non troppo 

Thierry Escaich (né en 1965)

Spring’s Dance pour deux pianos et percussions (2003)

Igor Stravinsky (1882-1971)

Le Sacre du Printemps

Théo Fouchenneret, Rodolphe Menguy piano

Emmanuel Jacquet, Rodolphe Théry percussions


Biographies des interprètes

Théo Fouchenneret piano

Théo Fouchenneret remporte le premier prix du Concours international de Genève en novembre 2018 avant d’être nommé « révélation soliste instrumental » aux Victoires de la Musique classique. La même année il remporte le 1er prix ainsi que cinq prix spéciaux au Concours international de musique de chambre de Lyon avec le Trio Messiaen.

Applaudi par de grandes salles et festivals internationaux, il se produit également avec des musiciens internationalement reconnus : Victor Julien-Laferrière, Renaud Capuçon, François Salque, Lise Berthaud, Svetlin Roussev… 

En mars 2020 est paru son premier disque solo chez la Dolce Volta, enregistrement consacré aux grandes sonates Waldstein et Hammerklavier de Beethoven. Théo est également un chambriste recherché, comme en témoigne sa grande discographie aux côtés de musiciens comme Eric Le Sage, Tatsuki Narita, le Trio Messiaen et Raphaël Sévère, le Trio Xenakis et Philippe Hattat.

Théo est à l’initiative du projet d’enregistrement de l’intégrale de la musique de chambre de Robert Schumann, qui a débuté en 2023, aux côtés de son frère Pierre Fouchenneret. 

Son nouveau disque consacré aux Nocturnes de Gabriel Fauré est paru le 6 septembre 2024 chez le label La Dolce Volta. Il est déjà salué par la critique (Revue Pianiste, 5 étoiles Diapason), et est couronné d’un Choc Classica.

Théo Fouchenneret est en résidence à la Fondation Singer-Polignac depuis 2020.


Rodolphe Menguy piano

© Lyodoh Kaneko

Pour le magazine Pianiste, Rodolphe Menguy « se révèle être un instrumentiste formidablement armé certes mais surtout, un vrai tempérament », selon Diapason « il capte magnifiquement les atmosphères singulières » et a « au bout des doigts tout un orchestre » pour le magazine Classica
Rodolphe Menguy naît en 1997 à Paris et débute très tôt ses études musicales au CRR de Boulogne-Billancourt dans la classe de Gilles Berard puis Marie-Paule Siruguet, où il obtient son DEM de piano à l’âge de 14 ans. Il est ensuite admis à l’unanimité en 2015 au CNSMD de Paris dans la classe de Denis Pascal et Varduhi Yeritsyan où il obtient un Diplôme d’Artiste onterprète classique en 2022 après y avoir obtenu ses diplômes de Licence et Master. Il est ensuite admis à l’Accademia di Santa Cecilia à Rome où il se perfectionne auprès de Benedetto Lupo. Bénéficiant depuis très jeune d’une formation complète, il obtient au CRR de Boulogne-Billancourt un DEM d’Orchestration et au CNSMD de Paris les Prix d’Harmonie (classe de Fabien Waksman) et de Contrepoint (classe de Pierre Pincemaille).
En 2023, Rodolphe obtient le 2nd Prix au Concours international des étoiles du piano ainsi que trois Prix spéciaux. Il a par ailleurs reçu le Prix Jeune soliste des médias francophones publics en 2021 en tant que candidat présenté par France Musique. Il est également lauréat 2021 de la Fondation Banque Populaire, lauréat de la Fondation de l’Or du Rhin, Lauréat de la French American Piano Society et a été nommé Révélation Classique de l’Adami en 2018. Il est sélectionné cette même année pour faire parti de la promotion Vivaldi de l’Académie Philippe Jaroussky.
Rodolphe se produit régulièrement aussi bien en soliste que chambriste dans des festivals et salles prestigieuses : La Roque d’Anthéron, la Folle Journée de Nantes, Festival Radio France Occitanie, Chopin à Paris, Les Musicales de Normandie, Opéra de Saint Etienne, Théâtre des Bouffes du Nord, Musée Guimet, Ambassade de France à Washington, Consulat de France à New York…
Son premier disque Rhapsodies Hongroises sort en mai 2023 pour le label Mirare et est salué par la presse spécialisée : « Choix de France Musique », 5 étoiles de Classica, 5 Diapasons, 4,5 étoiles dans le prestigieux magazine allemand FonoForum
Musicien curieux, Rodolphe possède un large répertoire, de la musique de Bach à la création contemporaine en passant par Mozart, Haydn, Beethoven, Schubert, Chopin, Schumann, Liszt, Brahms, Debussy, Ravel, Bartók, Stravinsky, Hindemith, Messiaen, Boulez…
Passionné de musique de chambre et partenaire recherché, il se produit dans de diverses formations et a partagé la scène avec notamment Nathan Mierdl, Sarah Jégou-Sageman, Raphaëlle Moreau, Nicolas Garrigues, Marie Ducroux, Violaine Despeyroux, Paul Zientara, Stéphanie Huang, Caroline Sypniewski, Philippe Bianconi, Théo Fouchenneret, Nathalia Milstein.
Enthousiasmé par la rencontre des arts, cet amoureux de cinéma a également fait des projets où s’associent musique et danse, et a créé une nouvelle version de L’Histoire du soldat de Stravinsky en piano solo avec le comédien Bertrand de Roffignac.
Rodolphe est apparu sur plusieurs médias comme France Musique, Musiq3 – RTBF, Medici.tv. Il a reçu, au travers de diverses masterclasses et académies les conseils de personnalités musicales importantes comme Michel Béroff, Philippe Cassard, Hortense Cartier-Bresson, Bertrand Chamayou, Claire Désert, Nelson Goerner, Jean-François Heisser, David Kadouch, Stephen Kovacevich,, Bruno Rigutto, Sir András Schiff, Emmanuel Strosser…
En 2022, Rodolphe a fait ses débuts à l’Auditorium de Radio France dans un programme Boulez/Chopin ainsi qu’à la Philharmonie de Paris – Cité de la Musique dans le redoutable 2ème Concerto de Bartók avec l’Orchestre des Lauréats du Conservatoire de Paris sous la direction de Quentin Hindley.
Il est depuis juillet 2024 artiste résident de la Fondation Singer-Polignac.


Rodolphe Théry percussions

© Amaury Viduvier

Timbalier solo de l’Orchestre philharmonique de Radio France depuis 2019, membre fondateur du Trio Xenakis et de l’Orchestre le Cercle de l’Harmonie, Rodolphe est un musicien aux engagements éclectiques.

En 2013, il est admis premier nommé dans la classe de Michel Cerutti, au Conservatoire de Paris, avec qui il étudie le répertoire contemporain pour percussion seule et se spécialise dans la pratique des timbales dans la classe de Jean-Claude Gengembre.

Très vite, il est invité à jouer avec les grands orchestres européens tels que le Philharmonia à Londres, l’Orchestre de Paris, le Bayerische Staastoper de Munich, l’Orchestre de Chambre de Paris, Les Siècles et les Dissonances, et travaille avec des chefs d’orchestre tels que Valery Gergiev, Myung-Whun Chung, Lava Shani, Daniel Harding ou encore Esa-Pekka Salonen.
Avec son Trio Xenakis, Rodolphe continue d’explorer la création contemporaine et les projets faisant se rencontrer les différentes pratiques artistiques. Ainsi les trois musiciens collaborent avec Ivo Van Hove et la Comédie-Française pour le spectacle Électre / Oreste, mais aussi avec le groupe Feu! Chatterton, le pianiste Yaron Herman ou encore la danseuse Élodie Sicard. Ils collaborent également avec les compositeurs Thierry Escaich, Othman Louati, Philippe Hurel ou Giani Caserotto. En 2024 parait leur premier disque Alliages (B Records), qui regroupe les grandes pièces du répertoire contemporain pour percussions et qui est salué par la critique (Diapason, Concerti, France Musique, …).

En plus de son activité de musicien, Rodolphe élabore et met en scène des spectacles alliant les différents arts. Ainsi son premier spectacle, le Voyage d’Ulysse, sera créé en avril 2025, au studio 104 de Radio-France et proposé en podcast sur France Musique. Sa nouvelle adaptation de L’Enfant & les Sortilèges sera créée en décembre 2025 à Paris, puis reprise au Festival de Radio France Occitanie Montpellier à l’été 2026.

Rodolphe Théry est en résidence à la Fondation Singer-Polignac au sein du Trio Xenakis depuis 2018.


Emmanuel Jacquet percussions

© Amaury Viduvier

Musicien polyvalent, Emmanuel Jacquet se produit dans de nombreuses formations différentes allant des grandes phalanges symphoniques françaises aux grandes productions théâtrales. 

Après avoir étudié les percussions contemporaines, traditionnelles ainsi que la batterie dans différents conservatoires, il quitte en 2022 le Conservatoire National Supérieur de Musique de Paris avec les félicitations du Jury. 

Emmanuel est régulièrement invité à jouer dans divers orchestres prestigieux comme l’Orchestre Philharmonique de Radio France, l’Opéra National de Lyon, l’Orchestre National des Pays de la Loire, l’Orchestre National Bordeaux-Aquitaine, l’Orchestre Philharmonique de Monte-Carlo… 

Également sensible à la création, Emmanuel collabore également avec la compagnie Miroirs Etendus, avec laquelle il participe à plusieurs spectacles et opéras mis en scène par Thomas Bouvet, Antoine Thiollier sur les différentes scènes nationales. 

Il participe à de grandes productions théâtrales à la Comédie Française avec Electre/Oreste mis en scène par Ivo van Hove en 2018 ou encore Némésis de la metteuse en scène Tiphaine Raffier créé à l’Odéon Théâtre de l’Europe en 2023. 

Parallèlement, Emmanuel Jacquet est membre du Trio Xenakis, fondé en 2018 avec ses collègues percussionnistes Adélaïde Ferrière et Rodolphe Théry. Le trio se distingue par son engagement envers la musique contemporaine, explorant des œuvres de compositeurs tels que Iannis Xenakis, Thierry Escaich et Steve Reich. 

Le trio a également enregistré son premier disque Alliages, sorti sous le label B records en novembre 2024. 

Emmanuel s’implique aussi dans des projets éducatifs et des concerts de musique de chambre, contribuant à la diffusion et à l’appréciation de la musique contemporaine. 

Emmanuel Jacquet est en résidence à la Fondation Singer-Polignac depuis 2018 au sein du Trio Xenakis.

2e Académie Ouranos – 24 > 27 mars 2025

Après trois jours de travail intensif sous forme d’ateliers au sein de l’hôtel de la Fondation Singer-Polignac, de cours en miroir et d’échanges autour du métier de chambriste, les ensembles se produiront en quintette le jeudi 27 mars 2025 pour interpréter des extraits du coeur de leur répertoire mais aussi en formation élargie, accompagnés par les musiciens d’Ouranos dans des transcriptions joyeuses d’œuvres orchestrales.

Placé sous le signe de l’enthousiasme, de la communication et de notre amour pour le répertoire des instruments à vent, ce concert de restitution sera à l’image de ce que nous souhaitons insuffler aux jeunes musiciens participant à la 2ème édition de l’Académie Ouranos. 

Ensemble Ouranos

Mathilde Calderini flûte

Philibert Perrine hautbois

Amaury Viduvier clarinette

Rafael Angster basson

Nicolas Ramez cor

Les quintettes à vent qui participent à cette académie :

– Aires Tropicales (Pays-Bas)

– Aulos (France)

– Gardana (France)

– Aurae (France)

L’Ensemble Ouranos est artiste associé de la fondation depuis 2020

Trio Pantoum & Raphaël Sévère – 20 mars 2025

Concert 20/03

Joseph Haydn (1732-1809)

Trio pour piano, violon et violoncelle en la majeur hob XV:18 

Allegro moderato 

Andante

Allegro

Olivier Messiaen (1908-1992)

Quatuor pour la fin du temps

1. Liturgie de cristal

2. Vocalise pour l’ange qui annonce la fin du temps

3. Abîme des oiseaux

4. Intermède

5. Louange à l’éternité de Jésus

6. Danse de la fureur pour les 7 trompettes

7. Fouillis d’arcs-en-ciel pour l’ange qui annonce la fin du temps

8. Louange à l’immortalité de Jésus

Trio Pantoum

Kojiro Okada piano

Hugo Meder violon

Bogeun Park violoncelle

Raphaël Sévère clarinette

© OLG/CLP - 2025